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Comment or DM “Osmo” and we’ll send you a link to get our new Osmo Cinematic LUTs. If you’re shooting in D-Log on your Osmo Pocket 4 and 4P, as well as other DJI cameras that can shoot D-Log or D-Log M … You’re already doing the right thing. D-Log captures more dynamic range, more detail in highlights and shadows - but straight out of camera, it’s always going to look flat, grey, and lifeless. That’s where most people get stuck. Because without proper colour grading, you never actually see what the camera is capable of. These LUTs are built specifically for D-Log, D-Log 2 and D-Log M. No Rec.709 conversion. No complicated workflow. Just apply the LUT, adjust the intensity to your taste, and your footage comes to life. Clean colours. Natural tones. Cinematic contrast. What your footage was supposed to look like - in seconds.